![]() ![]() The youngster began cupping a small microphone in his hands with his harmonica and plugging into a guitar amp or a P.A. Jacobs ended up in Chicago, where he grew frustrated that his harmonica was being constantly drowned out by the much louder electric guitars. Louis, learning from masters like Sonny Boy Williamson II, Honeyboy Edwards, Big Bill Broonzy, and Sunnyland Slim. At the age of 12, he quit school and took to the road, playing harmonica and guitar on the streets of New Orleans, Memphis, Helena, Arkansas, and St. Little Walter was born Marion Walter Jacobs in Marksville, Louisiana on May 1, 1930. Today, it's hard to find a harmonica player who wasn't influenced by him. No one had ever heard anyone play the harmonica like Little Walter when he started. He transformed the harmonica into an almost-saxophone like presence on hundreds of blues recordings. Although he may not have been the first to amplify the harmonica, he took the instrument in directions previously unimaginable. Before Little Walter arrived on the music scene, the harmonica was a humble little instrument, pretty basic in its presentation and style, basically serving as support behind guitar and/or piano for the most part. ![]()
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